She was left for dead after the brutal murder of all members of her family, Henrietta is the newest addition to the Agency. She was assaulted repeatedly next to the dead bodies all night, which had inflicted psychological trauma to her, making her suicidal. Her struggle is the most developed of all the girls as she adjusts to her new life. Henrietta's favorite activity is to spend time with her handler, Jose. Whenever Jose seems to turn his attention to other women (including the other cyborgs of the SWA), Henrietta becomes slightly jealous. This is due to Henrietta's strong romantic feelings for him, as a result of her faint conditioning and the care he gives her.

Officially, the Social Welfare Agency is a government sponsored corporation that's in the business of saving lives. In reality, it's an agency on the fringe of technology. They give terminal patients another shot at life using cybernetic implants. This conditioning process then shapes the patient into an efficient machine for handling all of the government's dirty work. 
 
(Source: Funimation)

Laura Dawn Bailey is an American actress and voice actress. Best known for her anime roles (at first, Funimation titles but she has definitely moved on), she has also supplied voices in video games and worked as staff on several anime series. She's become one of the most prolific female voice actors in the AAA gaming industry since 2010.

Some of her best known anime roles are Lust in Fullmetal Alchemist, Young Trunks in Dragon Ball Z, Maka Albarn in Soul Eater, Tohru Honda in Fruits Basket, Sana Kurata in Kodocha, and Shin Nohara in the English dub of Crayon Shin-chan.

She is married to fellow voice actor [Travis Willingham](https://anilist.co/staff/95026/Travis-Willingham), and they have one son, Ronin.

Bailey primarily does video game voice overs and western animation nowadays, rarely getting any new anime roles, generally only reprising roles when she does anime. If she does get a new anime role, it's usually with Studiopolis.

Featured on "Critical Role."

[Website](http://www.laurabaileyvo.com/) | [Twitter](https://twitter.com/LauraBaileyVO)

Granddaughter of [Giancarlo Padoan](https://anilist.co/staff/146216)

[Synchronkartei](https://www.synchronkartei.de/sprecher/1600/2)

The girls of the Social Welfare Agency are no ordinary children. They are the grisly remains of human wreckage pieced back together with cybernetic implants and trained to kill by the government. 
 
The oldest, Triela, pursues her targets with a ferocious enthusiasm, unwilling to settle for less than total annihilation. Her mirror in this bloody stalemate is Pinocchio, a shell of a boy raised as an assassin by the FRF: a terrorist faction at war with the SWA. Cold and cruelly efficient, he wields sharpened steel as though it were an extension of his own hand. 
 
Once human, these shattered souls have become murderous machines with only vague recollections of what it meant to be real — and a brutal compulsion to be the last killer standing. 
 
(Source: Funimation)

[Website](http://attsukana.jugem.jp/) | [Blog](http://yaplog.jp/atsukana/) |  [Twitter](http://twitter.com/akusas)

A retired voice actress, she was affiliated with Mausu Promotion. She retired from voice acting on December 31, 2015, through her Twitter account.

Episodes 14 and 15 of Gunslinger Girl: Il Teatrino.

The Social Welfare Agency in Italy is not what it seems. Yes, it rescues young girls who have been brutalized, but it then brainwashes them and turns them into ruthless killers for an elite and secret counter-terrorism unit for the Italian government. 
Enter a young girl named Henrietta. After witnessing the savage murder of her family and barely surviving, the Agency takes her in and repairs her injuries using the latest in cybernetic technology. All traces of Henrietta's past are wiped from her mind, as she becomes one of the Agency's most lethal assassins. 
(Source: Seven Seas Entertainment)