**Occupation:** Oddity Specialist

Yotsugi Ononoki is an expressionless human corpse tsukumogami and the shikigami familiar of [Yozuru Kagenui](https://anilist.co/character/57501/).

Despite appearing almost entirely stoic, she still has hinted at feeling genuine emotion. She's mentioned how she considers [Koyomi](https://anilist.co/character/22036/) her friend on multiple occasions, such as when giving him advice "as a friend" as opposed to as an oddity specialist. She's also expressed how she wouldn't want to have to harm him despite needing to follow orders as a shikigami.

She has an ability called Unlimited Rulebook which allows her finger to shape-shift and cause explosions. She also seems to have a type of super strength, being able to to carry Kagenui and others using only one finger.

She also has an appreciation for muscles.

(Source: Monogatari Fandom)

First season of the Monogatari Series, part 5/6. Contains the arcs Karen Bee and Tsukihi Phoenix from the Nisemonogatari light novels.
 
In Bakemonogatari, the story centered on Koyomi Araragi, a third year high school student who has recently survived a vampire attack and finds himself mixed up with all kinds of apparitions: gods, ghosts, myths, and spirits. However, in Nisemonogatari, we pick up right where we left off and follow Koyomi as the psychological twists delve deeper and deeper...
 
(Source: Aniplex)

__Agency:__ I'm Enterprise

[Profile](https://www.imenterprise.jp/profile.php?id=74) | [Website](https://hayamisaoriofficial.com/) | [Twitter](https://twitter.com/hayami_official)  | [YouTube](https://www.youtube.com/channel/UCtUcK6HrhD024CkPDsURBwg) | [Instagram](https://www.instagram.com/hayamisaori_official/)

Member of the duet [Blue Drops](https://anilist.co/staff/106305/Blue-Drops) with [Hitomi Yoshida](https://anilist.co/staff/101088/Hitomi-Yoshida).

**Non-Anime Roles:**
- Elisanne (Dragalia Lost)
- Kamisato Ayaka (Genshin Impact)
- Munechika (Utawarerumono)
- Pramanix (Arknights)
- Rei Shijo (Princess Connect! Re:Dive)
- Tao Isonokami (Shin Megami Tensei V)
- Vector (Girls' Frontline)
- Shimakaze (Azur Lane)
- Kirifuji Nagisa (Blue Archive)
- Kunimitsu II (Tekken 7)
- Emma Millstein (The Legend of Heroes Series)
- Hulkenberg (Metaphor: ReFantazio)

Second season of the Monogatari Series, part 1/2. Contains the arcs Tsubasa Tiger, Mayoi Jiangshi, Nadeko Medusa, Shinobu Time, and Hitagi End, from the Nekomonogatari White, Kabukimonogatari, Otorimonogatari, Onimonogatari and Koimonogatari light novels, respectively.
 
These stories take place after the end of the summer vacation when the apparition of the bee had left and the apparition of the phoenix avoided any consequences… Now that Koyomi Araragi and the girls were entering their new school terms, they were once again about to encounter supernatural beings…but this time, they may not be so easy to deal with.
 
Tsubasa Hanekawa, Mayoi Hachikuji, Nadeko Sengoku, Shinobu Oshino, and finally Hitagi Senjougahara. The girls’ loneliness, their confessions, and their departures… 5 new “stories” begin now.
 
(Source: Aniplex) 
 
Notes:
 
 Includes 3 recap episodes from the TV version (Ep. 6, 11, 16).
 
The recap episodes were not included in the Blu-Ray version of the anime.

Third season of the Monogatari Series, part 1/5. Contains the arc Yotsugi Doll from the Tsukimonogatari light novel.
 
One day in February, Koyomi Araragi was taking a bath with his younger sister Tsukihi amidst finishing his studies for the college entrance exam. This was also following the incident involving Nadeko Sengoku, which was successfully amended behind the scenes by Deishu Kaiki. Koyomi noticed a change on his body “that could not be overlooked” and sought advice from Shinobu Oshino leading him to contact Yozuru Kagenui and Yotsugi Ononoki. Was this change signifying retribution for everything that Koyomi has done?!
 
(Source: Aniplex)

Launching the third or “Final Season” of the international cult-hit series, Possession Tale returns the narrator’s headset back to high school senior and amateur savior Koyomi Araragi, who used to eschew friendship once upon a time because it’d lower his “intensity as a human”—a loner’s misgiving that was perhaps on the mark in a different way than he intended.
 
At issue now is not the precarious fate of one of his cherished confrères, or rather consœurs, whom he’d aid, sight unseen, with a monster’s resilience, but his own aberrant state and its prolonged abuse. If everything comes with a bill, and if no man is an island, then is the price of self-sacrificing amity—and the bloodshed it ironically occasions—becoming inhuman for good?
 
That being said! Our hero, whose first name means “calendar” but who has none in his room, sees no need to rush, so, on our way to the profound mysteries of the superhuman aspect, expect a super-shallow deconstruction of the alarm clock. On hand this volume to (hardly ever) humor his humor: his little sisters, a living doll of a corpse, and its violent mistress.
 
(Source: Kodansha USA)

Third season of the Monogatari Series, part 2/5. Adapts the arcs Koyomi Stone, Koyomi Flower, Koyomi Sand, Koyomi Water, Koyomi Wind, Koyomi Tree, Koyomi Tea, Koyomi Mountain, Koyomi Torus, Koyomi Seed, Koyomi Nothing, and Koyomi Dead from the Koyomimonogatari light novel.
 
“You’re looking for a horror story? I wish I got one for you." Untold stories… one per month for one year… Taking place between other Monogatari stories, a chapter not yet told surrounds Koyomi Araragi and the strange happenings he gets pulled into over the course of a year. With one episode told per month, the story unravels in this 12 episode-long series of shorts.
 
(Source: Aniplex)
 
Premiered on the Japan-exclusive Koyomimonogatari mobile app.

Third and “Final Season” of the Monogatari Series, part 4/5. Contains the arcs Mayoi Hell, Hitagi Rendezvous, and Ougi Dark from the Owarimonogatari light novels.
 
Koyomi wakes up to see Mayoi Hachikuji before him, the girl who supposedly had gone to the afterlife. She tells Koyomi that they are currently in Avichi, the lowest levels of hell. Koyomi is dubious of how Mayoi knew about the exact timing of his death and which hell he would drop into, when Mayoi tells him that she was there to pick him up by the request of a certain individual.
 
(Source: Aniplex)

Third season of the Monogatari Series, part 5/5. Contains the arc Koyomi Reverse from the Zoku Owarimonogatari light novel.
 
The morning after high school graduation, Koyomi is standing in front of the mirror above the sink to wash his face when he suddenly feels like his reflection is staring back at him. He instinctively reaches for the mirror, and upon touching it, his fingers sink in... When he comes to, Koyomi finds himself in a world where everything appears to be reversed.
 
(Source: Aniplex)
 
Zoku Owarimonogatari premiered in theaters across Japan in November 2018. It was later released as a 6-part OVA on Blu-ray/DVD from February to March 2019.

Yotsugi Ononoki, the shikigami girl assigned to watch over Koyomi Araragi. This dead tsukumogami girl faces a challenge, but what exactly is that do-or-die struggle with her life on the line? As the "story" grows, it keeps on running, ever burning bright!
 
These are the modern-day oddities! Oddities! Oddities!
 
Youth is going back and forth between pain and peace.
 
(Source: Kodansha, translated)

Third and “Final Season” of the Monogatari Series, part 3/5. Contains the arcs Ougi Formula, Sodachi Riddle, Sodachi Lost and Shinobu Mail from the Owarimonogatari light novels.
 
During the month of October of his third year in high school, Koyomi Araragi is introduced to a transfer student named Ougi Oshino by his underclassman Suruga Kanbaru. Ougi tells Koyomi that she has something she wishes to consult with him. When she draws the map of Naoetsu High School, she finds something peculiar on there. This discovery reveals a tale that wasn’t meant to be told, and this makes Koyomi’s high school life totally different. This is the story that brings to light “what” makes Koyomi Araragi. This is the story that reveals the “beginning” of everything.
 
(Source: Aniplex)
 
Note: The first episode aired with a runtime of ~48 minutes as opposed to the standard 24 minute long episode.

A short promotional video cross-promoting Monogatari and Okitegami Kyouko no Bibouroku.


One day, high-school student Koyomi Araragi catches a girl named Hitagi Senjougahara when she trips. But—much to his surprise—she doesn’t weigh anything. At all. She says an encounter with a so-called “crab” took away all her weight …
 
Monsters have been here since the beginning. 
Always. 
Everywhere.
 
(Source: Kodansha USA)

Unlike ne’er-do-well former vampire Araragi, his two younger sisters Karen and Tsukihi, who attend a private junior high, are little balls of energy and charisma that their peers look up to. That the “ka” in Karen and “hi” in Tsukihi are both written with the character for “fire” isn’t the only reason they’ve come to be known as the Fire Sisters. Karen is the brawn and Tsukihi the brains of a vigilantism that the pair sees not merely as defending justice but as justice itself. They can’t encounter a harmful fad without trying to hunt down a specific source that had a motive for spreading it. In their big brother’s humble opinion, there is something fake and precarious about it all.
 
(Source: Kodansha USA)

How far does one go to help a lost child? In the case of returning narrator Araragi, the answer is too far, across the veil of time. Dutifully (if unknowingly) following up on Hachikuji’s cheeky foreshadowing, he concerns himself with his young lady friend and her fate in this instalment of the cult-hit series, heroically unable, once again, to find his own way home.
 
Thus the tale is also, or more so, about the journey itself, the dark honeymoon of a trip he takes into the past with the dweller in his shadow, Shinobu. Even among a cast that routinely disrespects chronology with their meta-commentary, she takes the cake, or the doughnut, by rewinding the clock for a perverse road movie, one that by and large goes nowhere, spatially.
 
It’s Kabuki not as in the theatre, but with the character for “tilt”—as in a slanted attitude toward the world, the posture of a bohemian. Or, perhaps, of a legendary vampire who once sought death, and of a high school senior who once tuned out life doing their dandy best to attend to an embarrassing wealth of aberrations in a provincial town.
 
(Source: Kodansha USA)

It, like the dark that makes up most of the cosmos, is not an aberration. Nonbeing can swallow you whole, yet if anything, it’s the anti-aberration. Darkness, in fact, is the Law, an executioner from whom a mark can try to run and hide, but only for so long. When it comes calling, the fortunate just might have the time to say goodbye. And the Darkness is—here now. Before ever visiting Japan to find a place to die, four centuries, indeed, before her failed suicide attempt, the legendary vampire KissShot literally stepped foot on the land of the rising sun with an epic jump that ended a lonely sojourn in Antarctica. It was back in those days that the proud noble created her first thrall. It was then, too, that she first met the Darkness.
 
(Source: Kodansha USA)

Circling back to a middle school girl’s apotheosis, if we can call it that, in OTORIMONOGATARI, and the mortal threat it poses to the hero and his girl, this “Season Two” finale is narrated, for the first time in the series, by a grown-up—but if the word conjures a sense of reliability, of stability and certainty to you, dear reader, then the lesson to take home from this is to trust no one.
 
Because the teller of the tale, who has been summoned by the heroine to defuse the situation, despite having been her nemesis since the very outset of the series, is—in the absence of the equally shady adult, Oshino, who at least was an expert—none other than his college frenemy, the fake ghostbuster who doesn’t believe in ghosts, the shameless swindler Deishu Kaiki.
 
And it is indeed a con that he agrees to perpetrate, uncharacteristically pro bono, on a wrathful god—a mythic undertaking if true, which it may be, when a liar among liars holds that his story, like any other, is all a lie. But maybe not, when a man who claims to be wise in the ways of the world sounds just as self-conscious as his adolescent counterparts or a Russian anti-hero.
 
(Source: Kodansha USA)

Calendar Tale, narrated by our titular hero, sends us to various earlier points in the story where certain events had yet to occur—when, for instance, the shady “expert” Oshino was still in town, and the ex-legendary vampire Shinobu hadn’t tired of sulking in a corner. After revisiting with a “case files” feel of the series’ origins, we will start to catch up to the present moment until we are violently spliced back into the overarching plot.
 
Weaving in a motif of ways, paths, roads, and streets—walks of life—the nostalgic vignettes hark back to the “case files” feel of the series-launching Monster Tale, but with a twist. Not all oddities are supernatural: stones and flowers; sand and water; the wind and the tree can just be plain weird without being aberrations. The vignettes for the months of October to March deal with six ladies who are either not quite human or older than titular narrator Koyomi Araragi, bless his bantering soul.
 
In this instalment, say hello from the future to class president among class presidents Hanekawa, acid-tongued girlfriend Senjogahara, cheeky lost child Hachikuji, smutty athlete Kanbaru, pathologically shy Sengoku, and justice-loving martial artist Karen, young ladies who love to make our young man sweat. See how he handles—or is handled by—aberration of a little sister Tsukihi, enigma of a freshman or -woman Ougi, shadow of a legendary vampire Shinobu, corpse of a tween girl Ononoki, psychopath of a monster expert Kagenui, and know-it-all of a Machiavellian fixer Izuko Gaen.
 
(Source: Kodansha USA, edited)
 
Note: The English release was split across two volumes, instead of the original singular volume.

Volume 1: 
Before we witness the series’ climactic showdown in the third volume of the End Tale—each part of which forms its own cohesive whole—narrator Araragi wrestles with a crucial bit of history that had turned him into the loner we met at the very beginning, who opined that friendships only lowered his intensity as a human.
 
What initiates his pilgrim’s progress of a reckoning is his first encounter, at school, with the mysterious freshman Ogi Oshino, self-described niece of the equally enigmatic aberration expert Mèmè, and the book’s opening chapter is a harrowing standalone novella of a who-dunit involving a locked room of sorts.
 
Our increasingly well-adjusted hero kept on beingdecent at one thing even when he was just hanging on, but this forte, an unlikely aptitude for math, of all things, becomes the focus of a cheating scandal and a web of recollections that forces him to come to terms with, what do you know, his capacity to connect to people.
 
Volume 2: 
When an old flame who gave up on life and chose to go up in flames—because he wanted to leave you but couldn’t—comes crawling back after four hundred years, you might not appreciate it, especially if you’re in a new relationship. But nothing’s ever simple between people, and that’s even truer between monsters.
 
For the first time in months, our heroic loser Araragi is human, parted by previous events from the ex-legendary vampire bound to his shadow. Before he, the second-ever thrall of the former Kissshot, can resume his partnership with the donut-loving waif that she’s turned into, she must make a choice—about that first-ever. 
 
Before the End Tale can end, some loose ends must be tied, and in this volume, the fixer Gaen calls in her favor, requesting an introduction to her niece; the errand of the amulet that Araragi ran with Kanbaru comes into crisp focus; and the time-traveling and -spanning Dandy and Demon Tales see their devastating resolution.
 
Volume 3: 
No good deed goes unpunished, they say, and so does friendship and lowering your intensity as a human, they don’t say—alas, for all his literally painful hustle and inveterate need to save others, our brave fool of a hero ends up in hell, a conception of the inferno in its full Buddhist glory, and muses (lol) if there’s a return ticket.
 
Told in three chapters, the final part of End Tale concludes the story proper and resolves the series’ panoply of ongoing mysteries: the dues of a do-gooder for relying on a power not his own, the identity of a shady transfer student, the outcome of a class president’s questing abroad, and even the true name of a park.
 
Araragi, indeed, is the one who knows, but along the way he meets old faces, really every last one of them, who aid him on his journey for understanding, and perhaps for salvation, and you for one might not be surprised if he had another rendezvous with an erstwhile “cloistered princess” before it—guess what it is—sees an end.
 
(Source: Kodansha USA)

Just when we thought the darkness menacing the town had been identified, named, and tamed, clear and unclear mysteries of seasons past looming or surfacing, then resolving, not without tears, not without bittersweetness, of course, but satisfyingly, in a tripartite finale, all loose ends tied up into, or at least with, a bow…
 
The End Tale continues—if only for one last time, in a bonus stage for the ages, as our softie of a protagonist who wished for all parties involved, including himself, maturely enough, to end up happy, sees his reflected image freeze in a mirror and regretfully, regrettably, reaches for it to find himself through the looking glass.
 
In an alternate reality where bits of the world have been flipped around, the hero comes face to face with the hidden side(s) of familiar faces, along with author NISIOISIN, whose bravura attempt to reimagine character possibilities concludes, with signature flair, the MONOGATARI series proper—thank you for reading.
 
(Source: Kodansha USA)

The girl who was once a god, Nadeko Sengoku. She, who followed her dreams and was forced into reality, is successful in creating alter egos by borrowing the power of the little girl shikigami, Yotsugi Ononoki.
 
However, the four "Nadekos" run away, scattering……?
 
The Oddities! Oddities! Oddities! of these modern days.
 
Youth is being unable to control even oneself.
 
(Source: Kodansha, translated)

It's chic to go saving a girl who has nothing to do with you every once in a while. Female students from Naoetsu High School have gone missing one after the other. When the mummified bodies of the girls are discovered, there's a very distinctive marking left on the napes of their necks...? Koyomi Araragi, now a first-year university student, goes on the move to track down the culprit! The curtain opens on Monogatari Series: Monster Season!
 
(Source: Kodansha, translated)

Araragi Koyomi's university arc (Monster Season)
 
Oddities x Mystery
 
"Do you still feel like playing detective?"
 
From his kouhai at Naoetsu Highschool, Higasa Hoshiame, comes rumours of the kidnapping of an elementary school girl.
 
Araragi Koyomi, now a first-year university student, along with Hachikuji Mayoi, Oshino Shinobu and Ononoki Yotsugi begin investigating, but...!
 
This modern day oddity! Oddity! Oddity!
 
In the Evening darkness, youth shines brightly.
 
(Source: Kodansha, translated)

"I've known Yotsugi Ononoki for a long time now, considering."
 
Koyomi Araragi receives a request from Iezumi, an associate professor of linguistics: "Please save my child from my abuse." Apparently, she had heard from Sodachi Oikura that Koyomi is "an expert on child abuse." As Koyomi scrambles to take his beloved car to the associate professor's apartment, the scene of the abuse, he is suddenly confronted by Yotsugi Ononoki. He has no idea why she's tagging along, but the pair soon bear witness to an astonishing sight at their destination.
 
This modern day oddity! Oddity! Oddity!
 
(Source: Kodansha, translated)

"It's an unfashionable monster. Even vampires are no match for them."
 
Araragi Koyomi was consulted by his friend, Hamukai Meniko, about her falling out with her boyfriend.
He himself had just been told by Hitagi Senjougahara that she is breaking up with him — along with an apology.
Koyomi deduced that this commotion was the work of oddity.
He goes to Oshino Ougi, an expert in the field of oddities.
 
This modern day oddity! Oddity! Oddity!
 
(Source: Kodansha, translated)

Volume 1: 
"All I ever see in thee is the visage of death."
 
Shinobu Oshino and Koyomi Araragi set off to meet Deathtopia Virtuoso Suicide-Master in her homeland, the tentatively named Kingdom of Acerola. As the humans fall into a state of disorder, the vampires are being wiped out by a virus that only infects aberrations?
 
This is the modern era of oddities, oddities, and more oddities!
 
Youth is by your side, alive and well.
 
Volume 2: 
"Good night, sleep tight, and sweet dreams."
 
As a specialist in training, Nadeko Sengoku heads to Iriomote Island with Yotsugi Ononoki and Deishuu Kaiki. Their target is the snake charmer Uroko Around— the root of all evil, and the biological daughter of Izuko Gaen. What will be the outcome of Nadeko's deathmatch?
 
This is the modern era of oddities, oddities, and more oddities!
 
Thank you, youth. Until we meet again.
 
(Source: Kodansha, translated)

The sequel to the 'Final Season' story arc of the Monogatari series. 

From the past to the future, their story continues. 

Now that he has graduated from high school, Koyomi Araragi’s story ends here. His story is truly over now, but the stories of the girls Koyomi saved - their stories - are not over yet. 

This is the prequel or sequel to their stories and their struggles. 

(Source: Monogatari Series USA Official Website)