Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. 
Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is.

The beautiful peasant woman Jeanne is raped by a demonic overlord on her wedding night. Spurned by her husband, she has no outlet for her awakened libido, which develops to give her powers of witchcraft. 
The film is inspired by Jules Michelet's non-fiction book "Satanism and Witchcraft", it is the third and final film in the Animerama trilogy, and the only one to be neither written nor directed by Osamu Tezuka. 
(Sources: ANN, Wikipedia)

Three people from the future are spiritually sent back in time to relive the era of Caesar, Marc Anthony and Cleopatra. As close companions to these key historical figures, they seek to understand the nature of an enemy's plan in their own time.
 (Source: Anime News Network) 
This is the second major animated piece following the big hit "A Thousand and One Night Stories" in Japan. The distributor treated the film as an erotic animated work for adults, advertising it as a piece "far more erotic than a thousand and one might stories." The movie produced a number of popular sayings and gags that have since become outdated. However, the film remains an impressive and beautiful piece.

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